U.S. OPEN 2016 June 18 Live PGA Golf Dustin Johnson Jordan Spieth Jason Day Rory McIlroy Mickelson
The 2016 U.S. Open kicked into gear Friday with some of the world"s best golfers grouped together. The same will be true on Saturday as Jordan Spieth is looking to overcome a rough finish to his Masters title defense by successfully going back-to-back in arguably the most difficult of the four majors.
What everyone really wants to know, however, is how to watch Spieth, Rory McIlroy and some of the other top golfers in the world do their thing live at Oakmont Country Club.
More 2016 U.S. Open
Two groups -- McIlroy/Rickie Fowler/Danny Willett ( 8:39 a.m. ET) and Spieth/Zach Johnson/Bryson DeChambeau (8:50 a.m. ET) -- will start their weather-delayed second rounds bright and early.
Both groups will be part of the Featured Groups channels on Saturday, meaning you can watch their entire rounds live on USOpen.com and the U.S. Open app.
Here is every possible way to watch the U.S. Open on Friday ( all times Eastern).
Starting time: 7 a.m.
Live TV coverage: 7:30-11 a.m. on Fox Sports 1, 11 a.m. to 8 p.m. on Fox, 8-9 p.m. on Fox Sports 1
TV simulcast online: 7:30 a.m. to 9 p.m. on FoxSportsGO.com
Special online streams: 7:45 a.m. to 8 p.m. on USOpen.com / US Open app
Featured Groups 1:Rory McIlroy, Rickie Fowler, Danny WillettAdditional groups TBA
Featured Groups 2:Jordan Spieth, Zach Johnson, Dustin DeChambeauAdditional groups TBA
So you want two tickets to Game 7 of the NBA Finals, eh? Oh, you want courtside seats, too? Thatll be $99,000.
Thats exactly what one fan was willing to pay to see history on Sunday night, according to online ticket resale website StubHub, which says the $49,500 per ticket cost is the highest in the companys 16-year existence.
StubHub spokesman Cameron Papp toldESPN the previous record price was $37,000 for Game 4 of the 2008 NBA Finals in Los Angeles between the Los Angeles Lakers and Boston Celtics. Papp said he cant reveal who bought the dream seats but the person is well known.
[LeBron James learns to come through when his team needs him most]
According to ESPNs Darren Rovell, StubHub sold five tickets to Game 6 for $25,000 apiece, while on Friday, the Golden State Warriors resale site sold two Game 7 tickets for $21,500 apiece.
To put this in perspective, $49,500 is just around $4,000 shy of the 2014 annual median American income. Whoever this fortunate person is will witness a historic moment. Either the Warriors will cap off the best regular season in NBA history with its second consecutive title or the Cleveland Cavaliers will be the first sports franchise from that city to win a championship since the 1964 Cleveland Browns, as well as become the first NBA team to overcome a 3-1 deficit in the Finals to claim a title.
As of 9 p.m. Friday, standing room only tickets for Game 7 were going for as little as $777.78 on StubHub.
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Dwayne Johnson commands the whole screen in Central Intelligence with his blend of power and navet, purpose and bewilderment. He and Kevin Hart have a bluff comic chemistry. Amy Ryan is quickly resonant in a deadpan role, and the script offers a surprisingly unforced amiability, emotional clarity, and deft espionage entanglements. Yet it isnt enough.
The problem with Central Intelligence is that its an action comedythe story of a C.I.A. agent, named Bob Stone (Johnson), who recruits a former high-school classmate, Calvin Joyner (Hart), a mild-mannered accountant, to help him crack a case that quickly turns violent. And the problem with the action is that its filled with what, in a grim oxymoron, would be called gunplay.
It isnt just the massacre in Orlando last weekend that puts the violence of Central Intelligence in the spotlight. The script is constructed so as to put shoot-outs into the foreground and push the director, Rawson Marshall Thurber (who co-wrote the script with Ike Barinholtz and David Stassen), into strategic terrain that isnt his strength. As a result, the movies authentic comedic energy and emotional connections are dissipated nearly from the start, leaving most of the film to be viewed as if on two parallel tracksone featuring its essential virtues and the other its dully conventional development.
Central Intelligence starts at a commencement assembly in a high-school gym, in 1996. Bobthen known as Robby Wierdich (pronounced weird d**k)was fat, awkward, sentimental, and bullied; Calvin, then nicknamed the Golden Jet, was the exuberant and multitalented class president, named most likely to succeed. At the ceremony, Robby is horrifically humiliated, and Calvin alone comes to his aid.
Twenty years later, Calvin is an unhappy, only modestly successful accountant, married to his high-school sweetheart, Maggie (Danielle Nicolet), a law-firm partner. Its the day before their twenty-year high-school reunion; Maggie plans to go, but Calvin cant face his classmates as the failure he takes himself to be. Out of the blue, hes contacted by Bob, who invites him for a drink. Calvins shocked to see the formerly unathletic and flabby Robby now heavily muscled and a master of martial artsa skill that quickly comes in handy, in a bar fight.
In the course of the evening, Bob discloses that hes a secret agent attempting to thwart a nefarious plot, by the so-called Black Badger, to steal and sell the complete list of U.S. undercover agents, and he needs Calvins forensic-accounting skills to help make sense of a spreadsheet filled with data. But, while Bob is visiting Calvin at the accounting office, a trio of agents, headed by Pamela Harris (Ryan), arrives and, declaring that Bob is actually a rogue agent who himself has stolen the list, tries to arrest both him and Calvin. After some ridiculous gunplay, Bob, with Calvin in tow, makes a dramatic escape, and the rest of the film is devoted to a double chaseBob and Calvin have to elude the C.I.A. while heading off in pursuit of the Black Badger.
The very essence of the story is the comedy of violence, and Central Intelligence offers plenty of it. Theres nothing funny about car crashes, plane crashes, Tasers, torture, or even a punch in the nose, but when theyre done as comedy theyre physical comedy in the literal sense of making a connection between bodies or between objects, to render what would be mirthless events as parodistic through choreography. With guns, its different. Guns present danger at a distance, with little action at hand beside ducking, diving, sliding, pointing, running, and reloading, which are, for the most part, cinematic clichs piled atop one another in a rapid montage. Of course, with some unusual directorial invention, something comedic can be done, but thats rarely achieved. The effect of a bullet is generally so devastating that it allows little for a director to play with (although one of the cleverest scenes in the movie, involving a superficial bullet wound, sends the story careening off into strange directions and the emotional stakes shifting). Even Brian De Palma doesnt do much more with a shoot-out than Thurber does. (It would be worth looking back at the history of cinema to see who does; the first filmmaker who comes to mind is Howard Hawks, in Scarface.)
The films triple backstoryinvolving the high-school reunion, Calvin and Bobs enduring traumas over their high-school identities, and resulting trouble between Maggie and Calvinyields occasional comedic delight, the highlight of which is a marriage-therapy session, in which Bob makes an unexpected appearance. Harts verbal rapidity and sense of timing set even dull lines ricocheting sharply, but Calvin isnt the center of the action. The emotional kick delivered by the elaborate, rickety setup comes mainly from Johnsons remarkable performance. The bold and mighty Bob is still as much of an awkward sentimentalist as he was in high school, and Johnson does deft work balancing both sides of the character with quizzical facial expressions and diction. Despite Bobs achievements (or his audacities), the C.I.A. agent still carries around the impacted pain of his adolescence. The plot point may be a commonplace, but Johnson manages to lend it a spontaneous, nave resonance.
Johnson and Ryan are movie stars, and they give lessons here in what that means: even in a minor movie such as this one, in which the dramatic and comedic foundations give way under the weight of conventions and banalities, their presence radiates far beyond the identity of their characters and their actorly intentions. Its good to see Ryan work in comedy (as she did with Jared Hess, in the extraordinary yet tainted Don Verdean). As for Johnson, theres a dramatic actor waiting to break out of his sometimes comic, sometimes fiercely violent persona. With his ambiguities and hesitations, his irrepressible gift for self-deprecation, hed be a natural for the cinematic worlds of Sofia Coppola or Paul Thomas Anderson.
Ivan Rakitic Goal - Czech Republic vs Croatia 2-2 Euro 17/06/2016
Croatian President Kolinda Grabar Kitarovic on Friday urged parliament to dissolve itself "as soon as possible," which would pave the way for early elections after the government fell in a no-confidence vote.
"I appeal to parliament Speaker Zeljko Suster to schedule a debate on the dissolution as soon as possible," the president said in a televised speech.
Kitarovic said she had met with all of Croatia"s major parties to discuss a path forward from the political impasse, but no party had sufficient support for a coalition government.
"They also said their wish is to have an election in early September, which I will take into account," Kitarovic said.
Earlier this month, technocrat Prime Minister Tihomir Oreskovic, who was backed by the conservative Croatian Democratic Union (HDZ) and reformist Most (Bridge) parties, called on the parties" leaders to step down.
Opposition lawmakers accused HDZ chief Tomislav Karamarko of corruption and misuse of power after his wife received 60,000 euros ($67,500) from a Hungarian lobby group.
Instead, the HDZ and Most launched a no-confidence motion, effectively toppling Oreskovic and his government in a 125-15 vote.
Croatia"s lawmakers are expected to decide on Monday whether to dissolve the government.
The political impasse has stalled much-needed economic reform legislation in the EU"s latest member state, which joined the bloc in 2013.
FINDING DORY GAME! New Disney Movie Based Game Finding Nemo Family Game Night Toy by DisneyCarToys
Ellen DeGeneres gives voice to a memory-challenged fish in search of her parents in Pixar"s follow-up to its 2003 hit Finding Nemo. Critic David Edelstein says Finding Dory is full of laughs.
DAVE DAVIES, HOST:
Thirteen years ago, Pixar had one of its biggest hits with Andrew Stantons Finding Nemo featuring the voices of Albert Brooks as a fish in search of his wayward son and Ellen DeGeneres as his sidekick, Dory. In the sequel, "Finding Dory," DeGeneres memory-challenged fish searches for the parents she barely remembers. Film critic David Edelstein has this review.
DAVID EDELSTEIN, BYLINE: Building a movie on a one-joke sidekick - Dory, the fish with short-term memory loss - is risky. And the first 20 minutes of the fish odyssey "Finding Dory" made me doubt the risk would pay off. Its a formulaic start for the normally unformulaic (ph) Pixar. But then, the studios peculiar genius kicks in, and suddenly all is right under the sea.
It helps if you dont expect this one to be too much like Finding Nemo, which was wonderfully complete. That movie began horribly - a massacre in which the clownfish Marlin lost his family, apart from one son. Predictably, he overprotected that son. And predictably, that son, Nemo, leapt at the chance to be independent. What followed was scary, painful and emotionally knotty but also hilarious thanks to a great script and the vocal pairing of Albert Brooks as the semi-hysterical Marlin and Ellen DeGeneres as Dory, his sweet, befuddled companion.
Dont expect anything like a massacre kicking off "Finding Dory. Its a gentler, cuter opening - too cute for my taste. Dory is a big-eyed little fish. Her eyes are as big as her head. And her doting parents are teaching her to navigate a world in which disorientation for her is the rule. Of course, Dory is fated to lose her parents and much of her identity. But the movie doesnt show you how she became separated from them until later, filling in what happened as she remembers it. That makes for a big payoff down the road but a perfunctory start.
Picking up a year after "Finding Nemo," Dory has a flashback - the remembrance triggered not by a madeleine but a stingray migration.
(SOUNDBITE OF FILM, FINDING DORY)
ELLEN DEGENERES: (As Dory) My family - I remember my family. Theyre out there somewhere. I have to find them. Guys, you got to help me, guys, guys - hello? Guys, where are you?
ALBERT BROOKS: (As Marlin) Dory.
DEGENERES: (As Dory) Hello?
BROOKS: (As Marlin) Dory.
DEGENERES: (As Dory) Ahh. Where did you go?
BROOKS: (As Marlin) You were the one to go.
DEGENERES: (As Dory) My parents - I remembered them.
HAYDEN ROLENCE: (As Nemo) Wait, what did you remember?
DEGENERES: (As Dory) I remembered them - my mom, my dad. I have a family. They dont know where I am. Lets go. We have to go...
BROOKS: (As Marlin) Dory, no, no - this is crazy. Where exactly are you trying to go?
DEGENERES: (As Dory) To the gem of the - Baltic
HAYDEN: (As Nemo) The Jewel of Morro Bay, Calif.
DEGENERES: (As Dory) Yes.
BROOKS: (As Marlin) No, Dory, Californias all the way across the ocean.
DEGENERES: (As Dory) Then we better get going.
BROOKS: (As Marlin) How come every time were on the edge of this reef one of us is trying to leave? For once, cant we just enjoy the view?
DEGENERES: (As Dory) How can you be talking about the view when I remembered my family?
BROOKS: (As Marlin) No, no - weve done our ocean travels. That part of our lives is over. The only reason to travel in the first place is so you dont have to travel ever again.
DEGENERES: (As Dory) Yeah but I want to...
DAVIES: Albert Brooks Marlin is a party pooper in that scene and Ellen DeGeneres Dory - so scattered that I got a little bored. My mind went to dumb places, like wondering why a fish would know the distance to California or speak English or know how to read.
But directors Andrew Stanton and Angus MacLane have a lot up their sleeve - so much Im willing to proclaim it the biggest, busiest and best sleeve in the business. The movie kicks into gear when Dory gets to California, to a rescue-and-rehab aquarium modeled on an actual one in Monterey Bay. As she finds her way around - she can read signs and maps - that aquarium becomes a stage - really, multiple stages - for the kind of slapstick set pieces that reduce audiences to puddles of laughter. By the end, my stomach muscles were aching.
How does a fish travel among the complexs many buildings on land? Courtesy of the most marvelous new character, Hank, voiced by Ed ONeill. Hes an octopus - make that a septopus (ph) - his term - since he lost an arm in an accident hes still sore about. Hank is a selfish loner who doesnt think he can survive if hes returned to the ocean. On land, though, hes super resourceful. He can turn any color, slither anywhere, steer any vehicle. I cant do justice to the joy of watching him zigzag in a baby carriage with Dory balanced in a bowl on his lap. The animation is as witty as the dialogue, and Hank is the most delightfully dexterous creature since Bugs Bunny - with three extra limbs to play with.
Its a little jarring that "Finding Dory" gets a lot of comic mileage out of disability - Dorys, obviously, but also a perpetually disoriented whale shark named Destiny, a Beluga named Bailey with no faith in his radar and a seriously brain-damaged bird. But since everyone triumphs over his or her weakness, you could call "Finding Dory" inspirational. At times, its something deeper. You see the world through Dorys eyes - spinning, objects dissolving along with her memories, a world with nothing to hang onto.
Is it finally as deep as Finding Nemo? Maybe not. But its like the kiddie pool of your childhood dreams. You never want to stop splashing.
DAVIES: David Edelstein is film critic for New York Magazine.
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Central Intelligence Official Trailer #2 (2016) Dwayne Johnson, Kevin Hart Comedy Movie HD
A look at what"s new in theaters this week.
Finding Dory (PG, Animation, Starring Ellen DeGeneres, Albert Brooks, Ed O"Neill, Kaitlin Olson, Ty Burrell) - Disney Pixar"s "Finding Dory" welcomes back to the big screen everyone"s favorite forgetful blue tang Dory, who"s living happily in the reef with Marlin and Nemo. When Dory suddenly remembers that she has a family out there who may be looking for her, the trio takes off on a life-changing adventure across the ocean to California"s prestigious Marine Life Institute, a rehabilitation center and aquarium.
In an effort to find her mom and dad, Dory enlists the help of three of the MLI"s most intriguing residents: Hank, a cantankerous octopus who frequently gives employees the slip; Bailey, a beluga whale who is convinced his biological sonar skills are on the fritz; and Destiny, a nearsighted whale shark. Deftly navigating the complex inner workings of the MLI, Dory and her friends discover the magic within their flaws, friendships and family.
Central Intelligence (PG-13, Comedy, Starring Dwayne Johnson, Kevin Hart, Amy Ryan, Aaron Paul, Danielle Nicolet) - The story follows a one-time bullied geek, Bob, who grew up to be a lethal CIA agent, coming home for his high school reunion.
Claiming to be on a top-secret case, he enlists the help of former "big man on campus," Calvin, now an accountant who misses his glory days.
But before the staid numbers-cruncher realizes what he"s getting into, it"s too late to get out, as his increasingly unpredictable new friend drags him through a world of shoot-outs, double-crosses and espionage that could get them both killed in more ways than Calvin can count.
