Sunday, February 8, 2015

Man, 22, reported missing after failing to return to Arizona



A 22-year-old man was reported missing by family members after he failed to get on a bus to return home to Arizona last Friday.

Family members told News 2 Lee Young was last seen around 4 p.m. leaving the Papa Murphys located on Lebanon Pike.

According to Lees sister, he was supposed to be on his way back to Yuma, Arizona, after he purchased a one-way bus ticket; however, he never got on the bus.

Lee is 5 feet, 11 inches tall with a thin build. He has brown hair and brown eyes. He was last seen wearing blue jeans and a blue shirt.

Anyone with information is urged to call police at 615-74-CRIME.

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Source: http://wkrn.com/2014/10/30/man-22-reported-missing-after-failing-to-return-to-arizona/



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Saturday, February 7, 2015

Tiffani Thiessen to star in new Cooking Channel show 'Dinner at Tiffani's'



LOS ANGELES, Feb. 5 (UPI) -- Tiffani Thiessen is returning to television this month in a new cooking channel show named Dinner at Tiffany's.

The 40-minute episodes will center around Thiessen hosting dinner parties at her home for her celebrity friends. Some of the announced guests include her old co-stars Jason Priestley and Seth Green as well as Elizabeth Berkley and Mario Lopez.

The show's pilot will premiere on the Cooking Channel on Feb. 25 and is available for streaming now on the network's website.

Thiessen, 41, is best known for her roles as Kelly Kapowski on Saved by the Bell and as Valerie Malone on Beverly Hills, 90210. She last starred on USA Network's procedural drama White Collar, which concluded its final season in December.

The actress most recently made headlines after announcing her second child with husband Brady Smith will be a boy.

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Source: http://www.upi.com/Entertainment_News/TV/2015/02/05/Tiffani-Thiessen-to-star-in-new-Cooking-Channel-show-Dinner-at-Tiffanis/2091423136072/



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'Jupiter Ascending' a Flop



Jupiter Ascending is incomparable to the Wachowskiss earlier films, such as The Matrix and Cloud Atlas. The most obvious departure is that it is undeniably a teen flick, directed at a younger audience more enraptured by stunning special effects than winding and intricate storylines. But the Wachowski touch is still there: the grandeur of scope, the uplifting message, the lush visuals. As a result, the films failures are all the more disappointing. The Wachowskis, who have never been known to be feckless storytellers, have at times polarized audiences with their films, but the criticisms leveled at their films have labeled them as aiming too high or being somewhat inaccessible, not being incogent.

Jupiter Ascending is in some ways the Wachowskiss most ambitious project yet; while other teen films such as The Hunger Games or The Maze Runner have the benefit of a world already created within a popular book series, Jupiter Ascending attempts to create a similarly complex universe within a standalone film, with little success. The plot of Jupiter Ascending is neither captivating nor sensical. The film, set in the distant future, revolves around fatherless house maid Jupiter Jones (Mila Kunis), whose unglamorous and menial lifestyle introduces her as a modern-day Cinderella. The story continues in the most predictable manner possible, introducing Channing Tatum as Caine Wise, a stony-faced werewolf who swoops in from the stars to change the helpless Jupiters destiny and crown her queen of the universe.

From the opening of the film, the one-dimensionality of its writing is its weakest point. Its two-hour runtime proves too short to establish the intricate setting the story requires; in particular, the scientific details of the film, necessary background for the rest of the movie, are never clearly elucidated. They are touched on only in an overly artificial scene in which a bewildered Jones asks Wise a series of questions that Wise answers carelessly and unintelligibly. This dialogue and others like it, although they only last for a matter of seconds, nonetheless stand out as awkward attempts to ameliorate gaps in the plot that unfortunately end up detracting from its continuity and credibility. Uncontextualized, these discrepancies appear ridiculous and completely lacking verisimilitude, exemplified by moments like one episode in which half-bee, half-human Stinger Apini (Sean Bean) takes Jupiter aside and confides without explanation, Bees are genetically designed to sense royalty.

The films weakness is further reflected in the characters. The cast is a conglomerate of tropes from the science and teen science fiction canon: werewolves, elves, and dragons all live in relative harmony in a Star Wars-esque world. One of the most disappointing characters is Jupiter herself, who spends a good amount of time following the films fairy tale introduction being carried on Wises shoulders. Wise himself spends his time fighting off various villains, including the paranormal keepers and other extraterrestrial pursuers. The emptiness of these characters is exacerbated by unconvincing acting. In one particularly memorable scene, brothers Balem (Eddie Redmayne) and Titus (Douglas Booth) Abrasax discuss their ulterior motives in such an affected manner that they sound more absurd than malicious.

Jupiter Ascending makes a final, half-hearted attempt to redeem itself by flooding its viewers with flashy special effects, particularly during the its extended fight scenes. Though the scenes use the distinctive Chicago skyline, River, and architecture in a thorough and organic way, they ultimately come off as a gaudy series action film clichs rather than transitional, narrative, or even clearly sequential. The latter half of Jupiter Ascending is stuffed to the brim with these scenes, whose uninspired quality makes the movie drag for 127 unbearably humdrum minutes.

It is hard to say that the Wachowskis are out of their comfort zone on Jupiter Ascending because the film shows no restraining of their idiosyncrasies, especially in its writing. However, the transition from action thrillers to what Lana Wachowski calls a science fiction space opera directed at young adults is not seamless. Pressed to fit their prolific imaginations into a restrictive, teen romance formula, the duo runs out of gas in their latest work. Though the Wachowskis may yet release a movie that rivals their previous filmography in complexity and mesmerism, Jupiter Ascending is an unoriginal attempt to release a more palatable film, which, to Wachowski fans, may be the hardest part to stomach.

Source: http://www.thecrimson.com/article/2015/2/7/jupiter-ascending-review/



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Laura Ingalls Wilder 148th birthday marked with 'Little House on the Prairie ...



The 148th birthday of American writer Laura Ingalls Wilder has been marked with a Google Doodle.

Wilder, born on February 7, 1867, is the author behind the well known and much loved Little House on the Prairie book series.

The 'Little House' novels were based on her childhood in the 'Big Woods' of Wisconsin where she grew up as part of a pioneer family.

The books chronicled her familys journeys through the American frontier and stand as a notable achievement of early American literature.

Little House on the Prairie was later turned into a popular TV series which ran between 1974 and 1984 and brought Wilder a wave of new fans.

The Google Doodle depicts characters Laura and older sister, Mary, made through needle felting.

The figures were made from a wire armature which was then sculptured using a process called 'roving', in which loose wool is stabbed through with a needle.

Source: http://www.mirror.co.uk/news/world-news/laura-ingalls-wilder-148th-birthday-5119881



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Robyn Lawley: First plus-size model featured in Sports Illustrated editorial



James Macari/Sports Illustrated

FIRST: Australian model Robyn Lawley is the first size 14 model to appear in Sports Illustrated.

Australian model, food enthusiast and environmentalist Robyn Lawley has become the first larger-than-average model to appear in theSports Illustrated: Swimsuit edition.

The six-foot, size 14 model, who is represented by top modelling agency Wilhelmina Models, was announced as one of the magazine's seven "Rookies" for 2015 on Friday, alongside Victoria's Secret star Erin Heatherton.

The 25-year-old, who is now heavily pregnant with her first child, is joined in the annual issue by another curvy model, Ashley Graham, who appears in an advertisement for plus size bikini label SwimsuitsForAll.

MODEL CRUSADER: Robyn Lawley posted a n**e selfie in protest of a mine set to go ahead in Queensland last year.

Lawley, who was catapulted to international fame by Vogue Italia editor Franca Sozzanni after she put her on a cover in 2011 wearing lingerie and leaning over bowls of spaghetti, shot her Sports Illustrated Rookie photo during the first trimester of her pregnancy.

She was then featured in Vogue Australia, starred in a Ralph Lauren campaign and was a recentMarie Claire Australia covergirl.

Lawley, who works out when she can or whenever she feels like it, regularly dismisses the "plus size" tag, and as well as a professional poser, she is also an avid cook.

"You can't control modelling at all. A lot of girls say to me that they want to be models, which is great, but I always try to tell them to aspire to be something else as well because it's one of those jobs you can't control. In the beginning, I was like, 'I'll give it a year in New York and we'll see what happens' and if it didn't work I would've come back and done cooking of something," said told Fairfax Media.

"You might be a beautiful girl, but modelling is a luck and a timing thing, it's so much more than you have the power to control," she said, echoing the sentiments of other successful Australian models like Miranda Kerr.

Last year she was in the spotlight for more controversial reasons after she posted a photo of her n***d body to Instagram with the words "Stop Coal Mining" scrawled on her stomach in red lipstick.

The Sydney-born, LA-based model is passionate about protecting the Great Barrier Reef, "I want my government to be focused on renewable energies," she said.

"I knew using my body would attract attention. I was worried as a feminist, that using my body would attract the wrong type of attention and people might take the wrong idea from it, but I'm a model, my body is my work."

She was then announced as the face of Pantene, one of the first plus-sized models to land a hair and beauty ambassador role.

"For Pantene to be the first to use a girl of a larger size is a push in the right direction so I hope for more and bigger things like it. Beauty campaigns are the final frontier of modelling, it's rare," she said.

Queensland senator and Greens spokesperson for women and the environment Larissa Waters, who is to Lawley what Julie Bishop is to actor Chris Hemsworth, commended Sports Illustrated for featuring a model who promotes a healthy body image.

"I so admire the way Robyn speaks out passionately for our environment and for healthy body image," Ms Waters told Fairfax Media.

"All power to Robyn. As a fellow proud feminist, environmentalist and food lover, I find Robyn so inspirational and her power to create positive change so exciting."

The annual Sports Illustrated: Swimsuit issue reportedly has an international readership of 18 million, one third of which are women. The majority of swimwear which is featured in the editorial pages usually sells out.

-SMH

Source: http://www.stuff.co.nz/life-style/fashion/65897932/Robyn-Lawley-First-plus-size-model-featured-in-Sports-Illustrated-editorial



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Friday, February 6, 2015

Anthem hack: Could the insurer have prevented it?



The data of up to 80 million people that hackers stole from health care insurer Anthem's database was not encrypted, sparking questions about whether the company had properly protected the information.

"Because an administrator's account was compromised, no amount of encryption would have prevented this attack," said Darrel Ng, a spokesman for Anthem Blue Cross in California, after the company began warning the public Wednesday about the breach.

That might be of little consolation to consumers fretting about hackers who now have access to their Social Security and medical identification numbers, names, birthdates, street addresses, email addresses and employment information, including income data. But most security experts agree there's no single technological solution to stopping this from happening again.

INDIANAPOLIS, IN - FEBRUARY 5: An exterior view of an Anthem Health Insurance facility on February 5, 2015 in Indianapolis, Indiana. About 80 million company records were accessed in what may be among the largest healthcare data breaches to date. (Photo by Aaron P. Bernstein/Getty Images) (Aaron P. Bernstein)

"We've seen so many large breaches, whether it's Target or Sony and now Anthem, and a lot of times there are calls for encryption," said Steve Bellovin, a computer science professor at Columbia University. "Encryption is a valuable tool. Sometimes it's going to help a lot. Other times it's a lot harder than it sounds."

Others say encrypting personal data could have helped.

"They claim it's the expense. Really, there's no excuse," said Beth Givens, founder and director of San Diego-based Privacy Rights Clearinghouse. "Encryption is a not a 100 percent solution but it makes that data far less desirable for fraudsters. They don't want to take the time and effort to decode it."

Encryption is a method of using mathematical algorithms to scramble data so that it's unreadable to anyone without a key, often in the form of a password.

Anthem has declined to say exactly how it was breached, only that it was "the target of a very sophisticated external cyberattack" the FBI is now investigating. Anthem also called in a Milpitas-based security firm, FireEye, to help. The insurer said it first noticed suspicious activity Jan. 27, then confirmed the hack Jan. 29.

(Jeff Durham / Staff graphic)

A health care security network that Anthem consulted with last week, the Health Information Trust Alliance, said in a statement Thursday that "upon further investigation and analysis it is believed to be a targeted advanced persistent threat actor."

That's "often a code word for a nation state, especially China or Russia," Bellovin said, and a way for a company to say it's been breached by a sophisticated player that would have been hard to stop.

How sophisticated remains hard to verify, but what's clear is that a breach -- possibly starting with just one administrator's account -- won hackers access to tens of millions of private records.

According to Ng, Anthem's data is encrypted when it is in transit.

"But while it's in Anthem's secure environment, it is not," he said.

"Essentially because they used administrator credentials, additional encryption would not have thwarted the attack," he said. "Administrator credentials would have unencrypted an encrypted database."

Anthem's breach affected up to 80 million people, far more than the 37.5 million actually covered by the insurer as of December, according to the company's most recent earnings report. Those hacked included not just Anthem employees but also many former Anthem subscribers, many of whom long ago dropped the insurer.

"The problem we have right now is not that a system can be penetrated, it's that after it's penetrated, all the data is at risk," Bellovin said.

Contact Matt O'Brien at 408-920-5011. Follow him at Twitter.com/Mattoyeah.

Source: http://www.mercurynews.com/health/ci_27470392/anthem-hack-could-insurer-have-prevented-it



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Seventh Son first look review � who you gonna call? Witchbusters!



Youd think Julianne Moore leading a coven of witches who can transform into dragons, bears and Djimon Hounsou would be more entertaining. Moore seems to be having a good time with Seventh Son, but on the sly, as if director Sergei Bodrov is behind the camera like a schoolmaster warning her to stop flailing her arms around and take this seriously. Its not a smart way to play this material.

Seventh Son is a exercise in sword and sorcery clich based on the first of 14 YA books in Joseph Delaneys Wardstone Chronicles series. I doubt well see follow-ups put to film, as Seventh Son has been sitting on a shelf for over a year; its first marketing materials debuted at San Diego Comic-Con in 2012.

The title refers to Tom Ward, a handsome young lad played by Ben Barnes. Hes the seventh son of a seventh son and, as such, pressed into service as apprentice to the local spook Master Gregory (Jeff Bridges). He can best be described as a witchbuster a spell-casting, swashbuckling vigilante who keeps the local spectres and goblins at bay. His previous pupil (Game of Thrones Kit Harington) is killed by Moores Mother Malkin and the timing couldnt be worse. A bloodmoon is coming and the last one a century ago plunged the land into a devastating war. Master Gregory must stop Mother Malkin from doing, um, whatever nefarious thing shes planning to do. Her plans are a little sketchy, but they definitely dont have the common good in mind.

This means Master Gregory must commence browbeating young Tom into accepting his destiny, then showing him how to handle the business end of a pouch of silverbane. The big showdown is going to happen in this cool-looking castle inside a volcano where Mother Malkin lives with her sister, played by Antje Traue who spends her time on screen busting out of her bodice and not bothering to cover up her German accent. Traues got a daughter, Alice (Alicia Vikander), who looks sweet and pure and is sent down to spy on the scheming spooks. Alice uses her feminine wiles to worm her way into Toms heart and gain his trust. With flowers in her hair, she bathes n**e in the moonlight looking a great deal like the White Rock soda girl.

Does the battle of good versus evil have room for love? Sure, why not? Its also got room for a fun set piece with a slobbering giant, a cliff and a waterfall. While Ben Barnes doesnt exactly light up the screen, hes agreeable enough, and no one would doubt Jeff Bridgess commitment to his own vision of this character. His voice is even stranger than his turn as Rooster Cogburn in True Grit, something like John Huston chomping on soggy poundcake. Bodrov likes to frame him head-on, with a cloak obscuring his eyes and his facial hair like half an asterisk jutting from his face. He gets a few good zings, too: his frequent retort of wrong question! when Tom asks something he doesnt like isnt much on the page, but hes able to make it work.

While Seventh Son has trace elements of Saturday afternoon fun, its unoriginal nature gets the better of it. I mean, if you were ever a young man coming of age in a high fantasy and wore an elaborate locket of unknown origin around your neck, wouldnt you know by now that it signified a noble heritage? There are flashes where you think Seventh Son is going to be wise enough to put a spin on the standard script, but by the end it just devolves into another loud, messy CGI brawl. How much more ruined masonry can moviegoers take? A lot, it seems, as this genre seems to be in no danger of going away.

Seventh Son is released on 6 February in the US and on 27 March in the UK

Source: http://www.theguardian.com/film/2015/feb/05/seventh-son-first-look-review-julianne-moore-jeff-bridges-alicia-vikander



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